COLLECTIONS: The Suter Art Gallery Collection, The Suter Art Gallery Te Aratoi o Whakatu, Nelson; Justin Art House Museum, Melbourne; ACU Art Collection, Sydney; Florida Kyriacopoulos Private Collection and Museum, Athens, Greece; Arts House Trust, Tāmaki Makaurau Auckland; Elliot Eyes Collection, Sydney
EXHIBITIONS (Public Institutions): Future Philosophies, The Suter Art Gallery Te Aratoi o Whakatu, Nelson (2023), Geometry of Thought, Wallace Art Trust, Pah Homestead, Tāmaki Makaurau Auckland (2018); Diagram for a Quantum Event, Te Tuhi Gallery, Tāmaki Makaurau Auckland (2018); Personal Structures, Pallazo Mora, Pallazo Bembo, Venice, Italy (2017); Sandra Bushby and Karyn Taylor, Window Gallery, Tāmaki Makaurau Auckland (2015); Jacob’s Ladder, Corner Gallery, Tāmaki Makaurau Auckland (2014); Sculpture on Shore, Fort Takapuna, Tāmaki Makaurau Auckland (2014); Wallace Art Award, Wallace Arts Trust, Tāmaki Makaurau Auckland (2014, 2012); National Contemporary Art Award, Waikato Museum (2014); Launch 2012, Projectspace B431, Tāmaki Makaurau Auckland (2012); Quietly Confident, SOFA Gallery, Otautahi Christchurch (2012); Lola Anne Tunbridge Award, Projectspace B431, Tāmaki Makaurau Auckland (2012); Jacob’s Ladder, Dunedin Public Art Gallery, Otepoti Dunedin (2010); Practical Metaphysics, Dunedin Fringe Festival, Otepoti Dunedin (2008); To There and Back Again, University of Southern Queensland, Australia (2005); Cup Cup, New Dowse Gallery, Lower Hutt (2004)
EXHIBITIONS: It's All Relative, Sanderson Contemporary (2022), Squaring the Circle, Gallery9, Sydney (2021), An Implicate Order, Sanderson Contemporary, Tāmaki Makaurau Auckland (2021), How to Construct Your Universe, Millers O’Brien, Poneke Wellington (2019), Electric Hum, Gallery9, Sydney (2019), Art-Athina Contemporary Art Fair, Faliron Pavilion, Athens, Greece (2017, 2016); The Other Place, Allpress Gallery, Tāmaki Makaurau Auckland (2013)
SELECTED BIBLIOGRAPHY: ‘Introduction’ by Dr Kyla Mackenzie p 5-8; ‘Blurring the Line: The Art of Kāryn Taylor’, by Edward Hanfling, p 9-16; ‘Problems yet to be Unravelled’ Zara Stanhope p 54-57 IN Future Philosophies: Kāryn Taylor, The Suter Art Gallery, 2023; Future Philosophies Exhibition Review by Steve Austin, Art New Zealand, Spring 2023, p 52; The Suter Art Circular Spin by Zara Stanhope, ACU Art Collection; A New Perspective, 2020, p54-55; Light and Lines by Claire O'Loughlin, ArtZone, #82, 2019-20, p23-31; The Observer Effect on Kāryn Taylor by Lucinda Bennett, Art New Zealand, Summer 2018, p70-73; Taylor's Moving (and moved around) Diagram by John Hurrell, EyeContact, 2018; ‘Time.Space.Existence’ by Jaimee Stockman-Young, Personal Structures exhibition catalogue, La Biennale di Venizia, 2017, p 292-293; ‘Taylor’s Leaning Quadrilaterals’ by John Hurrell, EyeContact, Mar 2017; Art and Artist Blog, Sep 2015; ‘Collecting and Emitting Light’ by John Hurrell, EyeContact, Aug 2015; ‘Undiscovered Artists’ by Sue Gardiner, Art Collector Magazine, 2015 Apr-Jun 2015, p 114; ‘Outdoor Sculpture in Devonport’ by John Hurrell, EyeContact, Nov 2014; ‘National Contemporary Art Award in Hamilton’ by Peter Dornauf, EyeContact, Sep 2014; Curator, Project 015: Kāryn Taylor by Rob Garrett, Apr 2014; ‘Thinking in the Abstract’ by Glen Snow, EyeContact, Oct 2013; ‘Eight Elam Students’ by John Hurrell, EyeContact, Aug 2013; Elam-Ilam Quietly Confident, Victoria Wynne-Jones, University of Canterbury, 2012; ‘Take Note,’ Otago Daily Times, Mar 2010, p 30; ‘Rear Lights’ by Adrienne Rewi, Adrienne Rewi Online, 2010; ‘Fun House Trip into the Unknown’ by Nigel Benson, Otago Daily Times, Apr 2008, p 12; ‘2008 Dunedin Fringe’ by Nigel Benson, Otago Daily Times, Apr 2008, p 8; ‘Fringe Festival is Hotting Up’ by Neal Barber, Critic Magazine, Mar 2008; ‘Invited Artists show a Fine Realism’ by James Dignan, Otago Daily Times, Apr 2008